Just a few days late this time around! Lol, it's Sunday, so not really.
Here's the Top 25 of Mai's JMu-Weekly 18th of April, 2016 edition:
SKE48's Chicken LINE is only second this because of Shabon. Chicken LINE still has its awesomeness in tact because I haven't yet got tired of it. :D I usually play a song that I like too much then I got tired and moved on to the next song that I like and the cycle goes on.
I am so not one day late because first, it has become Monday today and not Sunday anymore. Really. Well, I had to be picked up from school early yesterday and had to go along all the way until the kids got their photos taken and arrive home at 4:30-ish. Oh well?
So, where were we? What's after Chicken LINE?
aiko's Motto is still cool, but I couldn't find the full song on vk (mobile app), so I couldn't listen to it fully and bask in its beauty, lol, maybe not bask in its beauty, but certainly couldn't find more and more reasons to love it.
Then comes Keyakizaka46's debut single, Silent Majority. It's cool, really. I grew to love it. The song is meaningful and all, the melodies and chorus are catchy, despite me labelling it as having the same kind of sound Nogi songs usually have. I watched their latest performance of the song, and it was great. Improved performance. But I felt as if Hiratechi was a beat late/off in the choreography? Her expression was great as ever though and I want Kuritarou to tie her hair up again into a ponytail.
Ketsumeishi's Tomo yo~ Kono Saki mo Zutto... is also growing on me. Like I said before, it's used for some sort of Crayon Shin-Chan release, but the song itself is catchy and the relation to Shin-Chan is just the more reason to like it. Shin-Chan is fun.
I listened to ONE OK ROCK's Always coming back full version, and I feel as if that it isn't really as melodious (melodious in its loose meaning, as in not so rocking? tunes?) as Wherever you are, but I think that the lyrics are beautiful (more like, romantically beautiful?).
Then we have anderlust's Kaerimichi. It has been growing on me. And then Sakura Cinderella's Mirai Prologue which I haven't set my mind around it just yet. I kinda got attracted to it because the video was attracting me? The scene was that of the choreography and it was sorta beautiful? The song sound in itself was really what attracted me, but that certain scene made me think that I would like to try liking it. Similarly with RADWIMPS's Zen Zen Zense, just because it was animation.
Hiiragi Rio's Banzai ! Banzai ! also caught my attention, but I don't think it will ever rise to be a song that I'd remotely listen to a lot, and a loooot of times, Definitely not in the 85-90+ league. Then we have Kiyoshi Hikawa's Miren Gokoro and it's so fun-sounding. It's an enka song, but this singer is really expressive and the song sound is fun-sounding, wouldn't you think?
The last two I want to talk about is Nishino Kana's new Anata no Suki na Tokoro. Hmmm... What do I say? I didn't particularly like the sound, but it's there because of Kana? Something along those line, really. Then, on contrary, there is Hotei Tomoyasu's 8 BEAT no Silhouette. The song is fun, really, it's catchy, but still some way to be around 80s.
Then.................................... That's about it? Man, I'm so boring, no.
Click here to view the whole Mai's JMu-Chart.
No comments:
Post a Comment